FILM

My practice in fashion photography draws on my background in fine art photography and my ongoing exploration of the grotesque.
I approach the fashion image not as a surface of display, but as a constructed psychological space. Clothing becomes part of a visual language rather than a product, a tool to shape tension, character, and psychological depth.

I am interested in the point where beauty begins to shift into something unstable or unsettling. In my work, the body often appears fragile, excessive, or slightly distorted — not as spectacle, but as a way of revealing what sits beneath polished surface. The grotesque allows me to question idealised femininity and to work with vulnerability, intimacy, and discomfort as visual material.

At this stage, I see fashion photography as an open field of experimentation. I am still in the process of defining my approach within it, using it to test how my visual language operates in a fashion context. I am interested in the possibilities this space offers, and in how it expands the way I construct images, working intuitively and through process rather than fixed outcomes.